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Native Art Prints recently acquired a rare print by acclaimed Tahltan/Tlingit artist Dempsey Bob. This print is titled Raven Traveling with Sculpin, and it depicts a Tlingit myth: During Raven's travels, he decided to take rest and camp on the wild shores of the Northwest Coast. While camping he saw a large sculpin trying to get ashore at the tidal line in front of him and he said to it "My uncle's son, come ashore here. Come way up. One time, when you and I were going along in our uncle's canoe we fell into the water. So come up...

In 1977, Nuu-chah-nulth artist Art Thompson created a series of prints based on sea creatures that both solidified his status as one of the top Indigenous artists in Canada and ushered in an era of modern Nuu-chah-nulth (Nootka) design. Colloquially referred to as The Seafood Series, these five prints depicted sea creatures in a playful and unconventional manner. While they display the angularity and forms (such as the star, s-shape, and ovoid) found within traditional Nuu-chah-nulth artwork, they are asymmetrical and animated.  Many of the prints that Art created in his short life were based on historical Nuu-chah-nulth formline design...

These whimsical First Nations Kwakwaka'wakw prints by Master Artist Beau Dick represent Kwakwaka'wakw dancers. They were created in 1980. One print is titled 'Tanis' and the other 'Tani Gee'. The word 'Tanis' translates to 'Dancer'. The other print is titled 'Tanis Gee' which shows a dancer preparing and means 'Winter Dancer', a type of dancer integral to the Winter Hamat'sa Dances of the First Nations people from Vancouver Island. Each print measures 14" x 16" and is from an edition of 225. Each print is signed and long sold out. Beau Dick's many works include: masks, bowls, rattles, drums, original...

Andrew Dexel Enpaauk is a young artist from the Nlakapamux Nation. Native Art Prints has been carrying his work for several years now, and it sells very well since his style mixes graffiti style with Coast Salish design. This fusion creates figurative and abstract images that speak to resistance and renewal. He began creating limited edition prints soon after establishing his unique style. His beginnings as a graffiti artist is central to his style and since his switch from walls to canvas in 2007 he has brought this energy from the streets into his paintings. His work was featured in...

Larry Rosso was very well known in the Northwest Coast Native art market during the 1980s and 1990s for his impeccable bentwood boxes and modern designs. He was taught by Doug Cranmer and was influenced by Lloyd Wadhams Sr and Amos Dawson. In 1987/88, he worked with Robert Davidson on a house front project and continued a three year apprenticeship with Robert. Larry's carvings were often re-creations of Carrier designs and artifacts, from the Hazelton area, and his graphic designs were influenced by Kwakwaka'wakw traditions. Larry's work consisted of carving feast bowls, coffee tables, bent boxes, wall panels and masks...